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David In The Cave Of Enge| Mayr | CD

€ 14,95 (inclusief 21% btw)
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David In The Cave Of Enge| Mayr | CD| Naxos, 2008|0747313036677

Merit Ostermann, Cornelia Horak, Ai Ichihara, Sibylla Duffe, Simon Mayr Chorus & Ensemble, Franz Hauk

Disk 1

1 Sinfonia 1
2 Part 1. Recitative. Ah non ultra mi Rex

3 Part 1. Voces festive sonent
4 Part 1. Recitative. Quidnam Saul restat
5 Part 1. Recitative. Regi imperare
6 Part 1. Aria. Adversi fremunt venti
7 Part 1. Recitative. Simuletur, ne vana
8 Part 1. Aria. En Pastor humilis
9 Part 1. Recitative. Regis veni ad amplexus
10 Part 1. Recitative. Siste: corona
11 Part 1. Aria. Vade superbe o fortis
12 Part 1. Recitative. Quid loquutus est Rex?
13 Part 1. Recitative. Divisio amara
14 Part 1. Duet. Sponse mi...
15 Part 1. Recitative. Ah Jonathas
16 Part 1. Recitative. Esto securus
17 Part 1. Aria. Ah cor meum

18 Part 1. Recitative. Quales lacerant
19 Part 1. Recitative. Quod fulmen super me!

20 Part 1. Aria. Tu spernis precantem
21 Part 1. Recitative. Saul sonniaris
22 Part 1. Ah genitor amate...
23 Part 1. Umbra funesta
24 Part 1. Vos furiae lacerate

Disk 2

1 Sinfonia 2
2 Part 2. Recitative. Abite, vos non audio
3 Part 2. Recitative. Numen, coeleste numen
4 Part 2. Aria. Sponsum dona pater chare
5 Part 2. Recitative. Illudam filiam
6 Part 2. Recitative. Filia dilecta
7 Part 2. Aria. Patri amanti amplexus dona
8 Part 2. Recitative. O felix ego!
9 Part 2. Aria. Gaudete o sponsi amantes
10 Part 2. Recitative. Respiro tandem
11 Part 2. Ah sponsa... curre
12 Part 2. Recitative. Eum solum linquis frater!
13 Part 2. Aria. Ah quonam vado
14 Part 2. Recitative. Quo incertos verto gressus!
15 Part 2. Aria. Ah quid restas
16 Part 2. Recitative. Sed quid tardo
17 Part 2. Arioso. Quid audio!
18 Part 2. Sed quidnam cerno
19 Part 2. Duet. Ah quaseo serenum
20 Part 2. Recitative. Pater! - David
21 Part 2. Finale. O plena jubilo amica dies
Produktinfo

Born near Ingolstadt in Bavaria, Simon Mayr spent the greater part of his career in Bergamo, a flourishing cultural and economic centre in the early nineteenth century. An important figure in the promotion of Viennese classicism in Italy, he combined, in his own style, the legacy of Vienna with the dramatic and melodic genius of Italy, and held a dominant position in Italian opera before the emergence of Rossini. His oratorio David in spelunca Engaddi (David in the Cave of Engedi), with a Latin text, was written in 1795 for the Ospedale dei Mendicanti in Venice, one of the four great charitable institutions there, known for the musical achievements of its members. The oratorio deals with the conflict between David and Saul, and the refusal of David to harm the Lord`s anointed, in spite of the opportunity offered him.